Colette Arrand is a transsexual poet from Detroit, Michigan. She is the author of The Future Is Here and Everything Must Be Destroyed (Split Lip Press 2019) and Hold Me Gorilla Monsoon (OPO Books & Objects 2017). She is the co-host of Gear Switch, a podcast about the fashion of professional wrestling, and runs Fear of a Ghost Planet, a zine press. She can be found on Twitter @colettearrand.
1 poem
by Colette Arrand
mother
tell your children
that music is only
a weapon in the right
hands. tell your
children any machine
can kill fascists: a guitar,
a voice, a trans woman’s
hitachi magic wand.
true, there was a video game
where you rescued
aerosmith by shooting cds
at the people who abducted
aerosmith, but let me say
that a trans woman’s orgasm
is more important than
aerosmith, more wonderful
than most music. i don’t care
how heavy the riff is, i don’t
care which trans woman,
i don’t care if the cd you shoot
to rescue aerosmith is danzig
by danzig, which is the cd
i would shoot if i had the
money for cds or the kind
of heart that allows a person
to shoot another person.
once, my father took me
out to the woods to try
out his new handgun.
what i didn’t anticipate
was how easily the trigger
gave, like the guns attached
to arcade games but more
solid, more consequential.
i could see the hole the bullet
left in the paper (it was not
clean) and could picture
the bullet traveling until
it came to rest in something
living, and i have not
pulled a trigger since.
though it’s true that a machine
like a gun might kill a fascist
more easily than a trans woman’s
shuddering in the night,
the world is full of machines
and some work more secretively
than others, more fruitfully,
at least, than a white woman
handing a cop a pepsi
at a protest rally. when they wrote
the song i’d like to buy the world
a coke, i wonder if nazis
were included in the world.
probably not. it isn’t pleasant
to think of coca cola and Nazis
co-existing. it isn’t pleasant to think
of nazis, but they exist, just as sure
as the music of aerosmith exists.
it is hard for me to hear the word
“mother” in a voice that isn’t
danzig’s, without the imperative
that follows. my mother listened
to harder things than danzig,
so she never told me anything
about him until my sister
got into the misfits, about whom
she was unphased. we believe
different things about the degree
to which a person can be horrible.
i worry that she worries that i grind
out my days hopelessly. but hope
is a relative state of being. my hope
is that the machines i have are enough
to kill a fascist, that if i die
things burn in my wake. this hope
rips through me like the voice riding
the riff of a guitar. sometimes i hear
it until all i can hear is a tuneless
ringing. i have been ready to die
for as long as i have known this song
by danzig. it is not a song about
my mother. being ready and being
willing to die are not the same thing.