Yumi Dineen Shiroma is a PhD student in English at Rutgers University, where she studies the theory and history of the novel. Her poetry has previously appeared in BOMB Magazine and is forthcoming in Nat. Brut. She lives in New Jersey with Signora Neroni the cat.
1 poem
by Yumi Dineen Shiroma
Transitional Object
The hottest part of my body is its
refusal to take material form.
So many things could have gone wrong I’ve been
letting things go a little. Everyone
is someone’s idiot rando, I could
be yours. Organizing a fragmented
self around objects, the couple form. De-
nouncing as reactionary woman-
haters everyone around me. The way
she kept repeating the image of the
man with the gun in his mouth, not the things
themselves but the figures for the things, that
was the thing. The fantasy that I could
have my work and I could have *** and that
would be enough, it would add up to a
life. The retreat to domesticity
and care that I’ve wanted so badly. It
gave pleasure to believe in a future
radiating outward from the present.
The season demands the hanged man reversed
less mentally ill than I would have or-
dinarily been. I have enough rage
to carry me through another 5-
10 minutes. Then start to feel seasick, dead
in the pit of the gut. I feel ready
like something is happening / tell me what’s
happening. The silence that descends along
the renovated barn, peaked ceiling ex-
posed rafters globelike chandeliers. The bor-
derline condition the unequal con-
dition the peripheral condition
the highly scripted performance, how the
illusion becomes the illusion. How
the illusion takes on form and adds up
to a life and his cruelty emerges
at last as something utopian. Once-
electric hatred of self and other
channeled out. I can feel it building in
my chest like water, a feeling of sus-
pension. Like conditions on the brink of
being altered, maybe there’s that charge in
the air right now, an iron charge. But to-
night I feel a tenderness, a being
in the world without denouncing the world
the way I did last night. I feel ready
like something is happening / tell me what’s
happening. She kept saying “sentences
that commit suicide” sentences can’t
commit suicide. Sickness. Dead sea of
salt in the pit of the gut. I fanta-
size I leave the meeting halfway through. Some-
thing in the air a rain taste. Everyone
watches my panic attack takes notes. I
write a novel depicting “the” “Asian”
“American” “experience.” I o-
pen my eyes, my mouth, the brackish water
spills. I am his negative image, my
hair, my inhibition, running in place
watching New Jersey disappear behind
me.